Assisted suicide is an easy, painless procedure to help terminally ill patients put an end to their pain, to their life. As the law follows, currently, a medical physician can legally prescribe this lethal dose to his patients, as does Dr. Jack Kevorkian. Kevorkian has been administering this to his terminally ill patients. Within the last decade or so, this lethal doctor has taken the lives of almost two-dozen people across Michigan.
Most people agree that taking a life of someone else their life shall be taken. I agree with this. But on the other hand, being terminally ill and living through constant pain, wouldn’t you want to get it over with, painlessly? Kevorkian has been charged for every life that he has taken. But with his statements, as in, the patients do it themselves, he only provides the chemical, he continues to do what he does best.
Monday, March 23, 1998
Tuesday, March 10, 1998
Daddy
It’s been eight long years now
Since I’ve felt the warmth of your touch
The strength in your words
The happiness I feel when I see you smile
I would give anything
To have this all back again
My heart, my soul,
My everlasting breathe
Now that you’re gone
I look back on those times
The good, the bad
You held my hand
Through thick and thin
Daddy,
Even though you’re not here
The memories
Lie deep within my heart
Since I’ve felt the warmth of your touch
The strength in your words
The happiness I feel when I see you smile
I would give anything
To have this all back again
My heart, my soul,
My everlasting breathe
Now that you’re gone
I look back on those times
The good, the bad
You held my hand
Through thick and thin
Daddy,
Even though you’re not here
The memories
Lie deep within my heart
Categories
high school,
journaling,
mom and dad,
poetry
Listen
Listen
I am so alone
Without anyone to turn to
Who do I tell my fears to?
Who do I share my feelings with?
I don’t know what to do
I don’t know what to say
Is anyone there to help?Is anyone there to hear?
I fear life has no happiness
I feel there is no meaning
I don’t know how to respond
I don’t know how to feel
I only wish there were someone
Somewhere out there
To take my fears away
And listen to the words
That I have to say
I am so alone
Without anyone to turn to
Who do I tell my fears to?
Who do I share my feelings with?
I don’t know what to do
I don’t know what to say
Is anyone there to help?Is anyone there to hear?
I fear life has no happiness
I feel there is no meaning
I don’t know how to respond
I don’t know how to feel
I only wish there were someone
Somewhere out there
To take my fears away
And listen to the words
That I have to say
Categories
high school,
journaling,
poetry
In My Dreams
In My Dreams
Someone stop the hurt
Someone stop the pain
Someone stop the tear
That is running down my face
Hidden in the corner
Of my ever-pondering mind
Lie’s the memories of you
So still and so fond
I lie in bed at night
Dreaming about how much you mean to me
Thinking of the memories of you
In my heart
As well as in my mind
I miss you so much
They way you made me feel
The way your words
Kept away all my fears
Even though I can’t feel you
Even though I can’t hear you
You’ll always be
In my dreams
Someone stop the hurt
Someone stop the pain
Someone stop the tear
That is running down my face
Hidden in the corner
Of my ever-pondering mind
Lie’s the memories of you
So still and so fond
I lie in bed at night
Dreaming about how much you mean to me
Thinking of the memories of you
In my heart
As well as in my mind
I miss you so much
They way you made me feel
The way your words
Kept away all my fears
Even though I can’t feel you
Even though I can’t hear you
You’ll always be
In my dreams
Categories
journaling,
poetry
Sunday, March 8, 1998
Why?
Why?
Why can’t you look at me
The way you look at her?
Why can’t you give me
The affection you’d give her?
Why can’t you show me
The time you’ve showed her?
Why can’t you care about me
They way you care about her?
Why?
I can look at you
As fond as I looked at him
I can give you
The affection that I gave him
I can show you
Times like I showed him
I can care about you
As deeply as I cared about him
Why can’t you look at me
The way you look at her?
Why can’t you give me
The affection you’d give her?
Why can’t you show me
The time you’ve showed her?
Why can’t you care about me
They way you care about her?
Why?
I can look at you
As fond as I looked at him
I can give you
The affection that I gave him
I can show you
Times like I showed him
I can care about you
As deeply as I cared about him
Categories
high school,
poetry
Wednesday, March 4, 1998
Sarah McLachlan
Sarah McLachlan
And what a breathtaking and glorious sight Sarah McLachlan's soul must be. There is not another artist like her, none with the honesty and courage she consistently conveys.
Sarah McLachlan was born in Halifax, Nova Scotia in 1968 and has been on a musical path ever since. Following years spent studying classical piano, guitar and voice; the singer was discovered in a new wave band in 1985. In spite of the fact that McLachlan had not yet written a song of her own, Nettwerk Records label signed the 19-year-old singer into a recording contract.
McLachlan's first album, Touch (1988), went Gold in Canada, thanks to hits like 'Vox' and ‘Steaming.' Solace followed in 1991, reactions to that album were even stronger than that of the first. 'Drawn to the Rhythm' and 'Into the Fire' took Sarah=s music into the mainstream. 1994's Fumbling Towards Ecstasy was immediately loved by her many adored fans. This took McLachlan's success into a whole other level, aided by the strength of the songs, 'Hold On,' 'Possession,' and 'Good Enough.' Five million album sales later, Sarah continues to grow stronger, each and every day.
The summer of 1997 not only brought with it, McLachlan's new album, Surfacing, but also a 35-date traveling concert, known as the Lilith Fair. Conceived by McLachlan, the show is a two-stage, multi-artist phenomenon, featuring female artists. She quotes, "It doesn't exclude men, it simply celebrates women." Artists such as Suzanne Vega, the Indigo Girls, Paula Cole and Tracy Chapman will set the stage afire.
McLachlan’s ten-year career has indeed been a decade ascending in popularity, in profile and, most importantly, in her sense of self. McLachlan has made a career out of putting herself on the line emotionally; fans are repeatedly drawn to her candor and forthrightness. Her newest album, Surfacing, is no different. As she explains it, "Surfacing is about me finally growing up and facing the ugly things about myself. We all have a dark side, it's bullXXXX that we say we don't, and at some point we are going to have to face that." Life is about living and learning, Sarah McLachlan admits that the process of making Surfacing served to teach her many things about herself. Not all of the experiences were easy, but each and everyone were necessary. "I've learned to trust myself, to listen to truth, and not to be afraid of it and not try and hide it."
And what a breathtaking and glorious sight Sarah McLachlan's soul must be. There is not another artist like her, none with the honesty and courage she consistently conveys.
Sarah McLachlan was born in Halifax, Nova Scotia in 1968 and has been on a musical path ever since. Following years spent studying classical piano, guitar and voice; the singer was discovered in a new wave band in 1985. In spite of the fact that McLachlan had not yet written a song of her own, Nettwerk Records label signed the 19-year-old singer into a recording contract.
McLachlan's first album, Touch (1988), went Gold in Canada, thanks to hits like 'Vox' and ‘Steaming.' Solace followed in 1991, reactions to that album were even stronger than that of the first. 'Drawn to the Rhythm' and 'Into the Fire' took Sarah=s music into the mainstream. 1994's Fumbling Towards Ecstasy was immediately loved by her many adored fans. This took McLachlan's success into a whole other level, aided by the strength of the songs, 'Hold On,' 'Possession,' and 'Good Enough.' Five million album sales later, Sarah continues to grow stronger, each and every day.
The summer of 1997 not only brought with it, McLachlan's new album, Surfacing, but also a 35-date traveling concert, known as the Lilith Fair. Conceived by McLachlan, the show is a two-stage, multi-artist phenomenon, featuring female artists. She quotes, "It doesn't exclude men, it simply celebrates women." Artists such as Suzanne Vega, the Indigo Girls, Paula Cole and Tracy Chapman will set the stage afire.
McLachlan’s ten-year career has indeed been a decade ascending in popularity, in profile and, most importantly, in her sense of self. McLachlan has made a career out of putting herself on the line emotionally; fans are repeatedly drawn to her candor and forthrightness. Her newest album, Surfacing, is no different. As she explains it, "Surfacing is about me finally growing up and facing the ugly things about myself. We all have a dark side, it's bullXXXX that we say we don't, and at some point we are going to have to face that." Life is about living and learning, Sarah McLachlan admits that the process of making Surfacing served to teach her many things about herself. Not all of the experiences were easy, but each and everyone were necessary. "I've learned to trust myself, to listen to truth, and not to be afraid of it and not try and hide it."
Categories
high school,
journaling
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